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(°étudiant.e.s sortant.e.s / outgoing students)
 
(150 révisions intermédiaires par 4 utilisateurs non affichées)
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===infos===
  
L’erg a établi depuis plusieurs années une série de partenariats avec des écoles en Europe et dans le monde.
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===°[[erg fact sheet]]===
L’erg propose également à ses étudiants et enseignants de participer au programme de mobilité européen Erasmus+.
 
Ces échanges bilatéraux permettent aux étudiants d’élargir leurs connaissances artistiques tout en poursuivant leur cursus scolaire.
 
Ils contribuent à positionner l’école comme établissement phare d’enseignement et de recherche artistique en Europe et à mettre sur pied et à valoriser des projets aptes à conforter la reconnaissance de l’erg en tant que laboratoire de recherche artistique.
 
  
Erasmus+ donne l’opportunité aux étudiants (de tous niveaux, doctorat inclus, exceptés ceux inscrits en première année d’étude supérieure) d’étudier pour une période de 3 à 12 mois à l’erg dans le cadre des arrangements conventionnés entre les institutions.
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===°[[Incoming students|incoming students]]===
  
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===°[[Étudiant.e.s sortant.e.s / Outgoing students|étudiant.e.s sortant.e.s / outgoing students]]===
  
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===°[[Mobilité du personnel académique|academic staff mobility]]===
  
 +
===°[[Partners|partners]]===
  
----
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===°[[Projets internationaux|international projects]]===
  
== Mobilité étudiante ==
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===°[[Inclusive teaching at Erg|inclusive teaching at erg]]===  
  
=== Incoming students ===
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===°[[Erasmus Experience|experiences]] ===  
  
In order to take part to the Erasmus+ program and study at erg, you need to meet the following requirements :
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===°[[Sammy Del Gallo|contact ]]===
  
A/ To be a student registered in a higher education program leading to a recognized diploma (including doctorate) in one of the participating countries.
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===°[[Taux applicables|taux applicables]]===
  
B/ To be a citizen of those countries (or hold a continuous (“A”) or permanent (“P”) passport)
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=== °[[Green tips|green tips]]===
  
C/ To have successfully completed at least the two first years in your institution.
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===statement on Erasmus international strategy===
  
If you wish to spend a semester at erg as an international / Erasmus student, please contact your school’s Erasmus coordinator to ensure there is an agreement between erg and your institution.
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Since its creation in 1972, erg has defined itself as a '''place of research''' where the activation of modes and spaces of production leads the student to learn by doing. The articulation of the courses is a zone of convergence that gives rise to the unexpected, the exchange, the collective, the hybrid form, thus contributing to the training of '''artists- citizens in relation to the world''', well beyond the training period. Participation in the Erasmus + programme will reinforce the international, transdisciplinary perspective of our practices and our pedagogy. The "modernisation" of our institution involves asking the question of the present. A present to be subjected to gender, colonial, environmental, economic and social analyses. The crisis that we are going through and will go through calls into question our tools, our means, the very idea of economic growth, and moreover "the health crisis is embedded in what is not a crisis but a lasting and irreversible ecological mutation" (Bruno Latour, April 2020). Our participation in the construction of a '''European space of education''' is to question, at all levels of school, and with our partners, the references and tools mostly used for teaching in art schools. We defend an artistic practice based on innovative and experimental thinking that situates its references and objects in a geopolitical context. No practice in an international and civic perspective is independent of its places, its form, its technique, its time, its links with other artists, arts and situations. The Erasmus + programme will allow us to develop this learning, and a conscious participation in these diverse realities.
  
=== Required Documents ===
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One of the first objectives of participation in the Erasmus + programme is '''the development of social skills, adaptability, curiosity, encounter with the other, with other spaces, languages, practices'''. This objective is already in action at the erg in non-formal learning activities, in participation in the active life of the school. And also in the participation in activities of social cohesion, experimentation, in meeting places that allow both to promote intercultural understanding while acquiring relational and technical skills. These activities will also be places for sharing with our partners on digital platforms. Care for the other, respect for his or her culture is essential. How to welcome them? How can we avoid the traps of nationalism that are spreading in Europe? This is also one of the foundations in which we believe and which we will implement: the equitable sharing of knowledge and good practices and the aspiration to a more efficient, more fluid, fairer and more open education system.
  
[[:Fichier:Application Form - Incoming.pdf|Application form]]
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Another objective is the '''learning of other references than those often dominated by the only western, male, majority representation'''. These references alone have a direct impact on who identifies with an artistic career. As a result, the origins of students in art schools are not very diverse, and ultimately diversity is not well represented in cultural institutions and in the teaching staff. Through the exchange of practices and knowledge made possible by the mobility of teachers and students supported by Erasmus +, the fight against discrimination begins in education. Our school is already aware of this, it organises seminars, working groups, exchanges of references but this often remains at a local level and/or at the level of a single school. These emancipatory practices could be supported transnationally and between schools. For example, it is as a result of teacher and student exchanges that this particular issue has become the subject of a Strategic Partnership project initiated in 2019: Teaching To Transgress Toolbox. The Erasmus+ programme will allow, among other things, to share the results of this Strategic Partnership and, above all, to extend the network of research, mobilisation on these issues and the implementation of '''inclusive pedagogies'''.
  
Portfolio (digital only)
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The development of skills adapted to the current and future context is also an essential objective. The economic growth mentioned in the European Area of Education desired by the European Commission should also be thought of in terms of exchanges, sharing, care, sustainability, respect for people and the environment, important values in the European Union. What artistic economies are possible? In the field of art, where teaching is considered open to the conception and application of new critical frameworks, tools of analysis and creative practices, we can imagine new forms of life, of growth in the sense of growing and not of surplus, of recycling, of objects and people in the sense of changing one's path. These new forms of life involve learning to be aware of and to use digital tools and social networks in a responsible manner. Our experience of a horizontal and digital school in recent months could learn from exchanges at a European level. Within the framework of Erasmus + we propose, among other things, to develop a digital platform for the exchange of content, courses, conferences and references, favouring the use of free software and licences to guarantee open access and respect for the authors. In addition, the digital development in free software can be shared, and serve as a '''common place of learning'''.
  
Letter of motivation
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'''Thinking about the world and skills of tomorrow ultimately involves the dissemination and transnational experimentation of environmentally conscious and sustainable economic practices'''. Just as initiatives on gender and discrimination issues are local or European initiatives based on informal exchanges of common interests, one of our objectives in the framework of the Erasmus + programme is to be able to share and grow experiences, research, practices and references on recycling issues but also on the issue of short circuits and sustainability for food. Because the alternative economy, of proximity, of short circuit is not only that of recycling, we also experiment at the erg the creation of a cafeteria based on these same principles. The mobility of the teams and students involved in these issues will allow for the exchange of good practices and knowledge, particularly during internships.<br>
  
Curriculum Vitae
 
  
2 ID photos
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[[Fichier:Charte EES erg 2022-2027.pdf |400px|thumb]]
  
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[[Fichier:Logoerasmus+.jpg|no_frame]]
  
All documents must be signed and approved by your school.
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__NOTOC__
 
 
=== Deadline for admission ===
 
 
 
'''1st of May 2019''' for 1st semester ( September - January ) or full academic year (no incoming students in 2nd semester only)'''
 
 
 
 
 
- For non-French speaking students: CEFR level B1 is recommended as most of our courses are taught in French -
 
 
 
=== Contact and terms ===
 
 
 
[[Sammy Del Gallo]] - International Relations
 
 
 
[mailto:erasmus@erg.be email me]
 
 
 
----
 
 
 
=== Étudiants sortants ===
 
 
 
Procédure:
 
Les étudiant-e-s peuvent partir en échange international en Bac2, Bac3 et Master1. En Bac 2 et Master 1, les étudiant-e-s peuvent postuler pour une année complète à l’étranger. En Bac3, l’échange doit impérativement s’effectuer lors du 1er quadrimestre (septembre-février). Les étudiant-e-s conviennent avec l’erg d’un projet d’étude précis dans l’établissement d’accueil. A la fin de leur séjour ils doivent avoir validé le nombre d’ECTS demandés (31 ECTS minimum par quadrimestre académique). Tout-e étudiant-e ne peut bénéficier qu’une seule fois de la bourse ERASMUS au sein d’un même cycle d’études, quelle que soit la durée du séjour. Les candidat-e-s Erasmus doivent également adresser à leurs professeurs d’AP et d’orientation une lettre de candidature détaillant leur motivation à partir en séjour d’échange, un portfolio artistique de leurs travaux récents et un descriptif de leur projet personnel. Après avoir examiné les dossiers de candidatures des étudiants sortants, les professeurs d’orientation et d’AP, réunis en commission, marquent ou non leur accord à la demande d’échange et, en cas de candidatures multiples à un même établissement, sélectionne le/la candidat-e autorisé-e à postuler. Les candidat-e-s Erasmus doivent aussi être admis-e en 1ère session, faute de quoi la demande sera annulée.
 
 
 
étape 1 :
 
 
 
télécharger, compléter et remettre le formulaire de candidature interne
 
 
 
étape 2 : soumettre par email un portfolio, accompagné d’une lettre de motivation et d’un descriptif du projet artistique personnel
 
 
 
étape 3 : après autorisation de la commission d’enseignants, envoyer l’ensemble des documents requis à l’institution choisie, dans les délais impartis
 
 
 
étape 4 : mise en ordre du dossier administratif à l’erg (remise de la fiche de réinscription et du plan d’études 2018-2019, paiement du minerval)
 
 
 
 
 
 
 
=== Partenaires ===
 
 
 
'''Allemagne / Germany'''
 
 
 
– [https://www.adbk.de/de/ Akademie der Bildenden Künste München]
 
 
 
– Braunschweig University of Art
 
 
 
– HFG Staatliche Hochschule für Gestaltung Karlsruhe – Faculty of Communication Design
 
 
 
– Hochschule fur Bildende Künste Hambourg
 
 
 
– Merz Akademie -  Stuttgart
 
 
 
– Weißensee Kunsthochschule Berlin
 
 
 
'''Autriche / Austria'''
 
 
 
– University of Applied Arts of Vienna, Master Art & Science
 
(MA)
 
 
 
'''Belgique / Belgium'''
 
 
 
– LUCA, School of Arts
 
 
 
'''Brésil / Brazil'''
 
 
 
– Universidade Federal de Minas Gerais
 
 
 
'''Canada'''
 
 
 
– University of Concordia
 
 
 
– Université du Québec à Montréal (UQAM)
 
 
 
'''Chili / Chile'''
 
 
 
– Pontificia Universidad Católica de Valparaíso
 
 
 
'''Danemark / Denmark'''
 
 
 
– The Royal Danish Academy of Fine Arts, Schools of Visual Art
 
(MA)
 
 
 
'''Espagne / Spain'''
 
 
 
– Universidad de Castilla–La Mancha
 
 
 
– Universidad del País Vasco, Facultad de Bellas Artes
 
 
 
– Universidad Politécnica de Valencia, Facultad de Bellas Artes San Carlos
 
 
 
'''Finlande / Finland'''
 
 
 
– Aalto University School of Arts, Design and Architecture
 
 
 
– University of the Arts, Academy of Fine Arts (Kuvataideakatemia)
 
 
 
'''France'''
 
 
 
– École de Communication Visuelle (ECV)
 
 
 
– École d’enseignement supérieur d’art de Bordeaux
 
 
 
– École européenne supérieure de l’image, Angoulême et Poitiers
 
 
 
– École européenne supérieure d’art de Bretagne
 
 
 
– École nationale supérieure des arts décoratifs
 
 
 
– École nationale supérieure d’art de Dijon
 
 
 
– École nationale supérieure des beaux-arts de Lyon
 
 
 
– École nationale supérieure d’arts de Nancy
 
 
 
– École nationale supérieure d’arts de Paris Cergy
 
 
 
– École supérieure d’art et design, Grenoble / Valence
 
 
 
– École supérieure des beaux-arts, Tours / Angers / Le Mans
 
 
 
– Haute école des arts du Rhin (HEAR)
 
 
 
– Institut supérieur des beaux-arts, Besançon / Franche-Comté
 
 
 
– Villa Arson Nice
 
 
 
'''Hong Kong'''
 
 
 
– Hong Kong Design Institute
 
 
 
'''Hongrie / Hungary'''
 
 
 
– Moholy-Nagy University of Art and Design Budapest
 
 
 
'''Islande / Iceland'''
 
 
 
– Iceland Academy of the Arts, Department of Design & Architecture
 
 
 
 
 
'''Italie / Italy'''
 
 
 
– Accademia di Belle Arti dell’Aquila
 
 
 
– Accademia di Belle Arti Bologna
 
 
 
– Accademia di Belle Arti di Brera, Milano
 
 
 
– ISIA Urbino
 
 
 
– NABA Nuova Accademia di Belle Arti Milano
 
 
 
– Rome University of Fine Arts (RUFA)
 
 
 
'''Lituanie / Lithuania'''
 
 
 
– Vilnius Academy of Arts
 
 
 
'''Mexique / Mexico'''
 
 
 
– Escuela Nacional de Pintura, Escultura y Grabado «La Esmeralda»
 
 
 
'''Monaco'''
 
 
 
– Pavillon Bosio, École Supérieure d’Arts Plastiques de la Ville de Monaco
 
 
 
'''Norvège / Norway'''
 
 
 
– Trondheim Academy of Fine Art
 
 
 
'''Pays Bas / Netherlands'''
 
 
 
– Koninklijke Academie van Beeldende Kunsten
 
 
 
'''Portugal'''
 
 
 
– Universidade de Lisboa, Faculdade de Belas Artes
 
 
 
'''République Tchèque / Czech Republic'''
 
 
 
– Brno University of Technology Slovaquie / Slovakia
 
 
 
– Academy of Arts in Banská Bystrica
 
 
 
'''Suède / Sweden'''
 
 
 
– Malmö Art Academy, Lund University
 
 
 
'''Suisse / Switzerland'''
 
 
 
– BFH Bern University of Applied Sciences
 
 
 
– Haute École d’Art et de Design (HEAD)
 
 
 
=== Mobilité du personnel académique ===
 
 
 
Possibilités?
 
 
 
Missions d’enseignement : cette activité permet au personnel des EES participant au programme d’enseigner dans un EES partenaire à l’étranger.
 
 
 
Missions de formation (formation ou mission d’observation) : l’objectif de ce type de mission est le développement professionnel des membres du personnel, cet objectif doit s’inscrire dans la stratégie d’internationalisation et de modernisation du bénéficiaire.
 
 
 
Experts invités : cette activité permet à un EES d’inviter les membres du personnel d'entreprises et/ou d’organismes publics ou privés d’un pays du Programme actif sur le marché du travail ou dans les domaines de l’éducation, de la formation et de la jeunesse (y compris les doctorants employés) à venir enseigner  chez lui.
 
 
 
Durée ?
 
 
 
2 jours (hors voyage) à 2 mois.
 
 
 
Documents?
 
Avant la mobilité :
 
 
 
Contrat de bourse
 
 
 
Contrat de mission
 
 
 
- disponibles auprès de Sammy Del Gallo -
 
 
 
Après la mobilité :
 
Rapport intermédiaire. Celui-ci permet à l’Agence d’effectuer un contrôle à mi-parcours sur les activités mises en place dans le cadre du  projet financé. Il doit être soumis à la date stipulée à l’article I.4.3 de la convention de subvention.
 

Version actuelle datée du 15 avril 2024 à 14:07

infos

°erg fact sheet

°incoming students

°étudiant.e.s sortant.e.s / outgoing students

°academic staff mobility

°partners

°international projects

°inclusive teaching at erg

°experiences

°contact

°taux applicables

°green tips

statement on Erasmus international strategy

Since its creation in 1972, erg has defined itself as a place of research where the activation of modes and spaces of production leads the student to learn by doing. The articulation of the courses is a zone of convergence that gives rise to the unexpected, the exchange, the collective, the hybrid form, thus contributing to the training of artists- citizens in relation to the world, well beyond the training period. Participation in the Erasmus + programme will reinforce the international, transdisciplinary perspective of our practices and our pedagogy. The "modernisation" of our institution involves asking the question of the present. A present to be subjected to gender, colonial, environmental, economic and social analyses. The crisis that we are going through and will go through calls into question our tools, our means, the very idea of economic growth, and moreover "the health crisis is embedded in what is not a crisis but a lasting and irreversible ecological mutation" (Bruno Latour, April 2020). Our participation in the construction of a European space of education is to question, at all levels of school, and with our partners, the references and tools mostly used for teaching in art schools. We defend an artistic practice based on innovative and experimental thinking that situates its references and objects in a geopolitical context. No practice in an international and civic perspective is independent of its places, its form, its technique, its time, its links with other artists, arts and situations. The Erasmus + programme will allow us to develop this learning, and a conscious participation in these diverse realities.

One of the first objectives of participation in the Erasmus + programme is the development of social skills, adaptability, curiosity, encounter with the other, with other spaces, languages, practices. This objective is already in action at the erg in non-formal learning activities, in participation in the active life of the school. And also in the participation in activities of social cohesion, experimentation, in meeting places that allow both to promote intercultural understanding while acquiring relational and technical skills. These activities will also be places for sharing with our partners on digital platforms. Care for the other, respect for his or her culture is essential. How to welcome them? How can we avoid the traps of nationalism that are spreading in Europe? This is also one of the foundations in which we believe and which we will implement: the equitable sharing of knowledge and good practices and the aspiration to a more efficient, more fluid, fairer and more open education system.

Another objective is the learning of other references than those often dominated by the only western, male, majority representation. These references alone have a direct impact on who identifies with an artistic career. As a result, the origins of students in art schools are not very diverse, and ultimately diversity is not well represented in cultural institutions and in the teaching staff. Through the exchange of practices and knowledge made possible by the mobility of teachers and students supported by Erasmus +, the fight against discrimination begins in education. Our school is already aware of this, it organises seminars, working groups, exchanges of references but this often remains at a local level and/or at the level of a single school. These emancipatory practices could be supported transnationally and between schools. For example, it is as a result of teacher and student exchanges that this particular issue has become the subject of a Strategic Partnership project initiated in 2019: Teaching To Transgress Toolbox. The Erasmus+ programme will allow, among other things, to share the results of this Strategic Partnership and, above all, to extend the network of research, mobilisation on these issues and the implementation of inclusive pedagogies.

The development of skills adapted to the current and future context is also an essential objective. The economic growth mentioned in the European Area of Education desired by the European Commission should also be thought of in terms of exchanges, sharing, care, sustainability, respect for people and the environment, important values in the European Union. What artistic economies are possible? In the field of art, where teaching is considered open to the conception and application of new critical frameworks, tools of analysis and creative practices, we can imagine new forms of life, of growth in the sense of growing and not of surplus, of recycling, of objects and people in the sense of changing one's path. These new forms of life involve learning to be aware of and to use digital tools and social networks in a responsible manner. Our experience of a horizontal and digital school in recent months could learn from exchanges at a European level. Within the framework of Erasmus + we propose, among other things, to develop a digital platform for the exchange of content, courses, conferences and references, favouring the use of free software and licences to guarantee open access and respect for the authors. In addition, the digital development in free software can be shared, and serve as a common place of learning.

Thinking about the world and skills of tomorrow ultimately involves the dissemination and transnational experimentation of environmentally conscious and sustainable economic practices. Just as initiatives on gender and discrimination issues are local or European initiatives based on informal exchanges of common interests, one of our objectives in the framework of the Erasmus + programme is to be able to share and grow experiences, research, practices and references on recycling issues but also on the issue of short circuits and sustainability for food. Because the alternative economy, of proximity, of short circuit is not only that of recycling, we also experiment at the erg the creation of a cafeteria based on these same principles. The mobility of the teams and students involved in these issues will allow for the exchange of good practices and knowledge, particularly during internships.


Charte EES erg 2022-2027.pdf

no_frame