Dessin (MA) : Différence entre versions
De erg
(Page créée avec « catégorie: M1 catégorie: M2 ») |
|||
Ligne 1 : | Ligne 1 : | ||
[[catégorie: M1]] | [[catégorie: M1]] | ||
[[catégorie: M2]] | [[catégorie: M2]] | ||
+ | Enseignant-e : [[Christine Meisner]] | ||
+ | |||
+ | The Drawing has access to the inner and the outside world. It can trace the unconscious, relocate the absent and contextualize the never seen. It can evoke history. Transforms memory into the present and project the future. It’s a key to understand different aspects of the human condition, reenacts how things came into being. The pencil serve as a tool of appropriation and creation, the line re-reads anew the obvious or invents a new path. Drawing can be fiction or fact, unreal real landscapes. It can be a tool of examining political aggregates, understanding the social body. It can create and question the document. It is the medium, which capture and depict unlimited imagination in the instantaneous way. Drawing is a process of gaining space and time - even one can draw a setting of its own possible escape. |
Version du 18 octobre 2017 à 16:23
Enseignant-e : Christine Meisner
The Drawing has access to the inner and the outside world. It can trace the unconscious, relocate the absent and contextualize the never seen. It can evoke history. Transforms memory into the present and project the future. It’s a key to understand different aspects of the human condition, reenacts how things came into being. The pencil serve as a tool of appropriation and creation, the line re-reads anew the obvious or invents a new path. Drawing can be fiction or fact, unreal real landscapes. It can be a tool of examining political aggregates, understanding the social body. It can create and question the document. It is the medium, which capture and depict unlimited imagination in the instantaneous way. Drawing is a process of gaining space and time - even one can draw a setting of its own possible escape.