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E. Ivory Weber (she/he) is an Australian writer, artist, theorist and publisher. Since 2018 s/he teaches art theory and critical practice at Erg (École de recherche graphique–école supérieure des arts), and is co-director of the press Divided Publishing. Ivory Weber holds a Specialised Master in Political Philosophy and Theory from Université Libre de Bruxelles, a Post-Master from a.pass (advanced performance and scenography studies) in Brussels, and a BA(Advanced)(Honours) in Art History & Theory from The University of Sydney. S/he is the 2022 recipient of the Flanders State of the Arts—Residency Unlimited artistic residency in New York City.
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E. Ivory Weber is an Australian writer and artist living in Brussels. Since 2018 she teaches art theory and critical practice at Erg (École de recherche graphique–école supérieure des arts), and is co-director of the literary press Divided Publishing.
  
Artistic work includes 'No Private Problems' at Alma Sarif, Brussels, 'On and Off the Grid' at Kunstverein München, 'Supply and Supply' at Maison Pelgrims, Q-O2's Mayday Radio Marathon (w/ Marcus Bergner), 'Word without return' (w/ camille gérenton) at ISELP, 'Aftertaste' at Établissement d’en face, 'Christine Villemin' at Buenos Tiempos, Int., and 'No Private Problems' at M.I/mi1glissé.  
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Ivory Weber holds a Master in Political Philosophy and Theory from Université Libre de Bruxelles, a Post-Master from a.pass (advanced performance and scenography studies) in Brussels, and a BA with First Class Honours in Art History & Theory from the University of Sydney. She is the 2022 recipient of the Flanders State of the Arts—Residency Unlimited artistic residency in New York City.
  
Her writing has been published in Afterall, Dissect, frieze, How to Sleep Faster, How to Become a Lesbian, Jacket2, Meanjin, SALT. magazine, This Container, and for catalogues published by Museum Abteiberg, Bâtard Festival, Kunstverein Nürnberg and Art Gallery of New South Wales.  
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Working in time-based media (performance, sound, text), her artistic work includes 'No Private Problems' (Alma Sarif, Brussels), 'The mouth is a clock without hands' (Kunstverein München), 'Supply and Supply' (Maison Pelgrims/SB34, Brussels), 'Word without return' (w/ Gladys, ISELP, Brussels), 'Smog' (Établissement d’en face, Brussels), 'Christine Villemin' (Buenos Tiempos, Int., Brussels) and 'No Private Problems' (M.I/mi1glissé, Berlin).
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Her writing has been published in periodicals Afterall, Dissect, frieze, How to Sleep Faster, How to Become a Lesbian, Jacket2, Meanjin, SALT., This Container, ROT, Le Chauffage, and for catalogues published by Museum Abteiberg, Bâtard Festival, Kunstverein Nürnberg and Art Gallery of New South Wales.
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I am an artist and political philosopher interested in psychoanalysis, anachronism and the intellectual tradition of pessimism. I am lecturer in art history, theory and critical practice at Erg (École de recherche graphique–école supérieure des arts), Brussels, and co-director of Divided Publishing, Brussels and London. I hold a Master de spécialisation en Philosophie et Théorie Politiques from the Université Libre de Bruxelles and completed Post-Master studies at a.pass (advanced performance and scenography studies), Posthogeschool voor Podiumkunst, both Brussels. I received first class Honours in Art History & Theory from The University of Sydney.
  
 
http://divided.online
 
http://divided.online

Version actuelle datée du 21 octobre 2023 à 16:13

E. Ivory Weber is an Australian writer and artist living in Brussels. Since 2018 she teaches art theory and critical practice at Erg (École de recherche graphique–école supérieure des arts), and is co-director of the literary press Divided Publishing.

Ivory Weber holds a Master in Political Philosophy and Theory from Université Libre de Bruxelles, a Post-Master from a.pass (advanced performance and scenography studies) in Brussels, and a BA with First Class Honours in Art History & Theory from the University of Sydney. She is the 2022 recipient of the Flanders State of the Arts—Residency Unlimited artistic residency in New York City.

Working in time-based media (performance, sound, text), her artistic work includes 'No Private Problems' (Alma Sarif, Brussels), 'The mouth is a clock without hands' (Kunstverein München), 'Supply and Supply' (Maison Pelgrims/SB34, Brussels), 'Word without return' (w/ Gladys, ISELP, Brussels), 'Smog' (Établissement d’en face, Brussels), 'Christine Villemin' (Buenos Tiempos, Int., Brussels) and 'No Private Problems' (M.I/mi1glissé, Berlin).

Her writing has been published in periodicals Afterall, Dissect, frieze, How to Sleep Faster, How to Become a Lesbian, Jacket2, Meanjin, SALT., This Container, ROT, Le Chauffage, and for catalogues published by Museum Abteiberg, Bâtard Festival, Kunstverein Nürnberg and Art Gallery of New South Wales.

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I am an artist and political philosopher interested in psychoanalysis, anachronism and the intellectual tradition of pessimism. I am lecturer in art history, theory and critical practice at Erg (École de recherche graphique–école supérieure des arts), Brussels, and co-director of Divided Publishing, Brussels and London. I hold a Master de spécialisation en Philosophie et Théorie Politiques from the Université Libre de Bruxelles and completed Post-Master studies at a.pass (advanced performance and scenography studies), Posthogeschool voor Podiumkunst, both Brussels. I received first class Honours in Art History & Theory from The University of Sydney.

http://divided.online

http://eleanorweber.com

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