CANCELLED - Workshop de Penny Siopis : Différence entre versions
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'''Penny Siopis''' is currently an Honorary Professor at Michaelis School of Fine Art, University of Cape Town. Her work since the early 1980s has encompassed painting, film/video, photography and installation. All her explorations, whether with body politics, memory, migration, or the relations between the human and non-human, are characterised by her interest in what she calls the ‘poetics of vulnerability’ – embodied in the dynamic play between materiality and reference, chance and contingency, form and formlessness, personal and collective history. | '''Penny Siopis''' is currently an Honorary Professor at Michaelis School of Fine Art, University of Cape Town. Her work since the early 1980s has encompassed painting, film/video, photography and installation. All her explorations, whether with body politics, memory, migration, or the relations between the human and non-human, are characterised by her interest in what she calls the ‘poetics of vulnerability’ – embodied in the dynamic play between materiality and reference, chance and contingency, form and formlessness, personal and collective history. | ||
− | Her workshop is organized in the frame of the [ | + | Her workshop is organized in the frame of the [http://art-recherche.be AR]/FNRS project Family films. Colonial anamnesis, dedicated to artistic and anthropological researches focusing on private family films shouted in colonial contexts. |
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Version actuelle datée du 23 mars 2021 à 12:07
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Publiée | 2020-03-03 |
23-27 mars 2020.
Ecole de Recherche Graphique [ERG] and Université Libre de Bruxelles [ULB].
Penny Siopis is currently an Honorary Professor at Michaelis School of Fine Art, University of Cape Town. Her work since the early 1980s has encompassed painting, film/video, photography and installation. All her explorations, whether with body politics, memory, migration, or the relations between the human and non-human, are characterised by her interest in what she calls the ‘poetics of vulnerability’ – embodied in the dynamic play between materiality and reference, chance and contingency, form and formlessness, personal and collective history.
Her workshop is organized in the frame of the AR/FNRS project Family films. Colonial anamnesis, dedicated to artistic and anthropological researches focusing on private family films shouted in colonial contexts.