Painting - Historique des versions

Sammy : /* cursus */

2023-06-02T09:48:01Z

‎cursus

Sammy le 2 juin 2023 à 09:46

2023-06-02T09:46:31Z

Wendy.t.liebermann le 9 décembre 2022 à 15:16

2022-12-09T15:16:39Z

Wendy.t.liebermann le 9 décembre 2022 à 15:16

2022-12-09T15:16:29Z

Sammy le 29 août 2019 à 08:15

2019-08-29T08:15:41Z

Sammy : Page créée avec « '''Bachelor 1, 2 & 3''' Professors: Eric Angenot, Marcel Berlanger This painting course is considered as a laboratory for discovering and testing the practices a... »

2018-08-22T09:10:57Z

Page créée avec « '''Bachelor 1, 2 & 3''' Professors: Eric Angenot, Marcel Berlanger This painting course is considered as a laboratory for discovering and testing the practices a... »

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'''Bachelor 1, 2 & 3'''

Professors: [[Eric Angenot]], [[Marcel Berlanger]]

This painting course is considered as a laboratory for discovering and testing the practices and challenges of contemporary painting. It explores the many forms that painting can take today. The workshop enables students to explore the diversity of painting production means and to experiment current techniques and materials.
Students acquire practical and conceptual tools that contribute to the development of a personal artistic approach.
At the end of the year, the students’ development and work are analysed together with them in order to look at the possible improvement points of their practice.

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'''Masters'''

Professors: [[Eric Angenot]], [[Marcel Berlanger]]

The painting Master course offers a regular follow-up of the students’ practice. These individual or small-group interviews are completed by sessions focused on the analysis of contemporary and historical visual practices. In this course, students are invited to think about the place of painting in today’s world and about the challenges of painting in relation to its history and to other media (photography, sculpture, video, digital image, etc.).
The course is focused on further developing the students’ approaches as well as on the mediation of their works. In this perspective, the course dwells on exhibition, layout and oral presentation issues, taking into account the specificity of each student’s practice.

[[Catégorie:English]]

@@ Ligne 2 : / Ligne 2 : @@
 ===cursus===
-◎ [[Painting]]<br>
+◎ [[Painting (BA)]]<br>
 ◎ [[Painting (MA)]]

← Version précédente		Version du 2 juin 2023 à 09:46
Ligne 1 :		Ligne 1 :
−	~~This~~ painting ~~course~~ is ~~considered as~~ a ~~laboratory for discovering and testing the practices and challenges of contemporary painting~~. It ~~explores~~ the ~~many~~ forms that painting can take today. The ~~workshop enables~~ students ~~to explore the diversity of painting production means~~ and ~~to experiment~~ current ~~techniques~~ and ~~materials~~.	+	A painting class is first and foremost a workshop. It's a place where we practice, where we experiment, where we discover and invent the multiple forms that painting can take today. Painting is approached in a broad field of references and possibilities, as a specific language and way of thinking, capable of articulating personal and societal issues. The course's references are very broad, and vary according to students' practices and current events. We weave links between diverse practices from different eras and cultural fields. The workshop is also a place for sharing, painting, discussing and exchanging ideas.
−	~~Students acquire practical and conceptual tools that contribute to the development of~~ a ~~personal artistic approach.~~
−	~~At the end of the year~~, ~~the students’ development~~ and ~~work are analysed together with them in order to look at the possible improvement points of their practice~~.

		+	===cursus===
		+	◎ [[Painting]]<br>

−		+	◎ [[Painting (MA)]]
−
−	[[~~Catégorie:English~~]]

← Version précédente		Version du 9 décembre 2022 à 15:16
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−	~~'''Bachelor 1, 2 & 3'''~~
−
	This painting course is considered as a laboratory for discovering and testing the practices and challenges of contemporary painting. It explores the many forms that painting can take today. The workshop enables students to explore the diversity of painting production means and to experiment current techniques and materials.		This painting course is considered as a laboratory for discovering and testing the practices and challenges of contemporary painting. It explores the many forms that painting can take today. The workshop enables students to explore the diversity of painting production means and to experiment current techniques and materials.
	Students acquire practical and conceptual tools that contribute to the development of a personal artistic approach.		Students acquire practical and conceptual tools that contribute to the development of a personal artistic approach.

← Version précédente		Version du 9 décembre 2022 à 15:16
Ligne 1 :		Ligne 1 :
	'''Bachelor 1, 2 & 3'''		'''Bachelor 1, 2 & 3'''
−
−	~~Professors: [[Eric Angenot]], [[Marcel Berlanger]]~~

	This painting course is considered as a laboratory for discovering and testing the practices and challenges of contemporary painting. It explores the many forms that painting can take today. The workshop enables students to explore the diversity of painting production means and to experiment current techniques and materials.		This painting course is considered as a laboratory for discovering and testing the practices and challenges of contemporary painting. It explores the many forms that painting can take today. The workshop enables students to explore the diversity of painting production means and to experiment current techniques and materials.

← Version précédente		Version du 29 août 2019 à 08:15
Ligne 8 :		Ligne 8 :


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−
−	~~'''Masters'''~~
−
−	~~Professors: [[Eric Angenot]], [[Marcel Berlanger]]~~
−
−	The painting Master course offers a regular follow-up of the students’ practice. These individual or small-group interviews are completed by sessions focused on the analysis of contemporary and historical visual practices. In this course, students are invited to think about the place of painting in today’s world and about the challenges of painting in relation to its history and to other media (photography, sculpture, video, digital image, etc.).
−	The course is focused on further developing the students’ approaches as well as on the mediation of their works. In this perspective, the course dwells on exhibition, layout and oral presentation issues, taking into account the specificity of each student’s practice.

	[[Catégorie:English]]		[[Catégorie:English]]