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Différences entre les pages « Natacha Pfeiffer » et « Craig Havens »

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[[Catégorie:Enseignant·e·s|Pfeiffer]]
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{{Actualités
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|Subtitle=avril 2018
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|Start=2018/04/04
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|Published=2018/04/02
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|Image=B6e2b586ab9dee0504f559f93d1892.jpg
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|Spipid=980
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|Description=L’Ecole de Recherche Graphique de Bruxelles (ERG)<br />
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presents Craig Havens in collaboration with [[Françoise Tahon]]
  
Natacha Pfeiffer est Docteur en Philosophie de l’Université Saint-Louis – Bruxelles.
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{{vimeo|273334830}}
  
Ses recherches, passées et actuelles, portent sur la nature de l’image et ses puissances propres. S’inscrivant dans une double perspective esthétique et épistémologique, ses travaux visent à élucider le rapport entre histoire et création. Sa thèse de doctorat, intitulée « Origine, répétition, recréation. Pour une philosophie du cadre à partir du cinéma muet hollywoodien » (2017), articule une réflexion sur les limites de l’image. Au départ d’une étude généalogique du concept de cadre de l’époque renaissante à l’époque moderne, cette recherche a posé les bases d’une nouvelle philosophie de l’image cinématographique. À travers l’analyse immanente d’un corpus filmique ainsi qu’une lecture serrée des œuvres du philosophe Georg Simmel, cette recherche explicite la contradiction logique et temporelle propre au concept de cadre et permet ainsi de réinterroger les catégories temporelles d’origine et de répétition, au croisement des théories esthétiques de la création et des réflexions relatives aux modèles théoriques de l’histoire.
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Everybody Knows Our Cities Were Built To Be Destroyed<br />
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A Countermonumental Artist Publication Project between Berlin and Brussels
  
Actuellement chercheuse postdoctorale rattachée au projet ARC « Philosophie critique de l’à-venir : temporalité, imagination, utopie », ses recherches visent à constituer, sur la base d’une cartographie des théories contemporaines de l’image, une première philosophie de l’histoire relative aux images permettant d’offrir une compréhension historique de la création.
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Exhibition and Presentation<br />
Champs de recherche – mots-clés:  
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April 4, 17h00<br />
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Galerie Andreas Schmidt<br />
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Florastrasse 61, Berlin 13187<br />
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[http://www.andreasschmidtgalerie.com www.andreasschmidtgalerie.com]
  
Philosophie de l’art, Esthétique, Philosophie de l’histoire, Théories de l’image, Visual Studies, Bildwissenschaft, Philosophie du cinéma, Georg Simmel.
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What makes an artist’s book a work of art in itself ? This is the question to be explored during the collaborative design action led by artist Craig Havens and professor [[Françoise Tahon|Francoise Tahon]].
  
[mailto:natacha.pfeiffer@erg.be email me]
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Collaborators will be given full access to the recently completed archive of the artist’s works from the image series “Everybody Knows Our Cities Were Built To Be Destroyed”. The archive features images of damage and impact marks to public monuments in the central Mitte district of Berlin, Germany. The work explores the legacy of warfare and the ability of non-restoration to activate the present-day experience of traditional monuments.
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Participants will be invited by the artist to Berlin for three days from April 3-5 to visit the locations of the actual historic sites at which the images were created. The artist will collaborate with participants to identify additional raw material for dispersal and reconstruction of new variations on the theme through generative printed publications. A public exhibition of the final publications will take place on April 4 in collaboration with Galerie Andreas Schmidt, Berlin.
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Craig Havens (US/DE) is a visual artist exploring the migration of traditional monuments into photography, moving images, sculpture and sound – effectively disembodying the monument and allowing it to traverse space and time. Havens employs this perspective to present the viewer with opportunities for confronting transience and the improbability of existence.
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Site-specific installation and public space actions reveal new perspectives on lens-based practices and monumental structures. Work has been exhibited internationally in such venues among others as Art Basel, Switzerland in 2013, Open Arts Foundation and United States Embassy, Sofia, Bulgaria in 2014, Weserburg-Museum für moderne Kunst, Bremen, Germany in 2015, Nanjing International Arts Biennale, Nanjing, China in 2016 and Galerie Andreas Schmidt, Berlin, Germany in 2017.
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http://craighavens.com/
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{{Actualités
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|Subtitle=30 mai - 1er juin 2016, galerie de l’erg
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|Published=2016/05/25
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|Image=3eee5442-3a814e4-e50ca.jpg
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|Description={{vimeo|273336208}}
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Craig Havens. Waterloo Battlefield (Freshly-Turned Soil), 2015<br />
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Archival Pigment Print on Cold Press Rag Paper, 110cm x 140cm<br />
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'''Craig Havens. New Countermonuments'''
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<span style="font-family:arial,helvetica neue,helvetica,sans-serif"><span style="font-size:15px">'''Opening : Monday 30th of May, 6pm'''<br /> [[Erg Galerie|galerie de l'erg]]<br />
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Exhibition from Monday 30th of May to Wednesday 1st of June<br />
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Opening hours : from Noon to 4pm</span></span>
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<span style="font-family:arial,helvetica neue,helvetica,sans-serif"><span style="font-size:14px">Monuments are historically concerned with claiming a ground that cannot be challenged – seeking to maintain assumptions of singularity, centralization, legacy and perpetuity. Countermonumental strategies are those ways of working that embrace multiplicities, peripheries, temporality and impermanence.</span></span>
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<span style="font-family:arial,helvetica neue,helvetica,sans-serif"><span style="font-size:14px">The interplay between material forms and the immaterial presence of memory is a major concern in the work of Craig Havens - one which begs to be explored in terms of its ability to shape new forms of artistic expression and which describes the memorial effect of intentional ritual and even unintentional chaotic events.</span></span>
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<span style="font-family:arial,helvetica neue,helvetica,sans-serif"><span style="font-size:13px">The artist Craig Havens is Phd Candidate, Doctorate in Art and Sciences of Art, ED20<br />
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Joint Doctoral Program<br />
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Ecole supérieure des Arts - erg, Brussels <br />
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UCL, Faculté de Philosophie, Arts et Lettres, Louvain-la-Neuve</span></span>
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<span style="font-family:arial,helvetica neue,helvetica,sans-serif"><span style="font-size:13px">Project Summary [http://www.craighavens.com/PhdFullProposal.pdf http://www.craighavens.com/]PS.pdf</span></span>
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|Spipid=883
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}}

Version actuelle datée du 30 août 2021 à 12:10

Actualités
Publiée 2018/04/02
avril 2018
B6e2b586ab9dee0504f559f93d1892.jpg

L’Ecole de Recherche Graphique de Bruxelles (ERG)
presents Craig Havens in collaboration with Françoise Tahon

Everybody Knows Our Cities Were Built To Be Destroyed
A Countermonumental Artist Publication Project between Berlin and Brussels

Exhibition and Presentation
April 4, 17h00
Galerie Andreas Schmidt
Florastrasse 61, Berlin 13187
www.andreasschmidtgalerie.com

What makes an artist’s book a work of art in itself ? This is the question to be explored during the collaborative design action led by artist Craig Havens and professor Francoise Tahon.

Collaborators will be given full access to the recently completed archive of the artist’s works from the image series “Everybody Knows Our Cities Were Built To Be Destroyed”. The archive features images of damage and impact marks to public monuments in the central Mitte district of Berlin, Germany. The work explores the legacy of warfare and the ability of non-restoration to activate the present-day experience of traditional monuments.

Participants will be invited by the artist to Berlin for three days from April 3-5 to visit the locations of the actual historic sites at which the images were created. The artist will collaborate with participants to identify additional raw material for dispersal and reconstruction of new variations on the theme through generative printed publications. A public exhibition of the final publications will take place on April 4 in collaboration with Galerie Andreas Schmidt, Berlin.

Craig Havens (US/DE) is a visual artist exploring the migration of traditional monuments into photography, moving images, sculpture and sound – effectively disembodying the monument and allowing it to traverse space and time. Havens employs this perspective to present the viewer with opportunities for confronting transience and the improbability of existence.

Site-specific installation and public space actions reveal new perspectives on lens-based practices and monumental structures. Work has been exhibited internationally in such venues among others as Art Basel, Switzerland in 2013, Open Arts Foundation and United States Embassy, Sofia, Bulgaria in 2014, Weserburg-Museum für moderne Kunst, Bremen, Germany in 2015, Nanjing International Arts Biennale, Nanjing, China in 2016 and Galerie Andreas Schmidt, Berlin, Germany in 2017.

http://craighavens.com/


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Actualités
Publiée 2016/05/25
30 mai - 1er juin 2016, galerie de l’erg
3eee5442-3a814e4-e50ca.jpg

Craig Havens. Waterloo Battlefield (Freshly-Turned Soil), 2015
Archival Pigment Print on Cold Press Rag Paper, 110cm x 140cm


Craig Havens. New Countermonuments

Opening : Monday 30th of May, 6pm
galerie de l'erg
Exhibition from Monday 30th of May to Wednesday 1st of June
Opening hours : from Noon to 4pm

Monuments are historically concerned with claiming a ground that cannot be challenged – seeking to maintain assumptions of singularity, centralization, legacy and perpetuity. Countermonumental strategies are those ways of working that embrace multiplicities, peripheries, temporality and impermanence.

The interplay between material forms and the immaterial presence of memory is a major concern in the work of Craig Havens - one which begs to be explored in terms of its ability to shape new forms of artistic expression and which describes the memorial effect of intentional ritual and even unintentional chaotic events.


The artist Craig Havens is Phd Candidate, Doctorate in Art and Sciences of Art, ED20
Joint Doctoral Program
Ecole supérieure des Arts - erg, Brussels
UCL, Faculté de Philosophie, Arts et Lettres, Louvain-la-Neuve

Project Summary http://www.craighavens.com/PS.pdf