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'''Mobilité SMS (étudiants)
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===infos===
'''
 
  
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===°[[erg fact sheet]]===
  
L’erg a établi depuis plusieurs années une série de partenariats avec des écoles en Europe et dans le monde.
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===°[[Incoming students|incoming students]]===
L’erg propose également à ses étudiants et enseignants de participer au programme de mobilité européen Erasmus+.
 
Ces échanges bilatéraux permettent aux étudiants d’élargir leurs connaissances artistiques tout en poursuivant leur cursus scolaire.
 
Ils contribuent à positionner l’école comme établissement phare d’enseignement et de recherche artistique en Europe et à mettre sur pied et à valoriser des projets aptes à conforter la reconnaissance de l’erg en tant que laboratoire de recherche artistique.
 
  
Erasmus+ donne l’opportunité aux étudiants (de tous niveaux, doctorat inclus, exceptés ceux inscrits en première année d’étude supérieure) d’étudier pour une période de 3 à 12 mois à l’erg dans le cadre des arrangements conventionnés entre les institutions.
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===°[[Étudiant.e.s sortant.e.s / Outgoing students|étudiant.e.s sortant.e.s / outgoing students]]===
  
Le temps passé dans note école est pleinement reconnu par l’université d’origine grâce à l’ECTS, l’European Credit Transfer System.
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===°[[Mobilité du personnel académique|academic staff mobility]]===
  
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===°[[Partners|partners]]===
  
[[Incoming students]]
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===°[[Projets internationaux|international projects]]===
  
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===°[[Inclusive teaching at Erg|inclusive teaching at erg]]===
  
[[Etudiants sortants]]
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===°[[Erasmus Experience|experiences]] ===
  
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===°[[Sammy Del Gallo|contact ]]===
  
[[Partenaires]]  
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===°[[Taux applicables|taux applicables]]===
  
Allemagne
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=== °[[Green tips|green tips]]===
  
Akademie der Bildenden Künste München
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===statement on Erasmus international strategy===
Braunschweig University of Art
 
HFG Staatliche Hochschule für Gestaltung Karlsruhe - Faculty of Communication Design
 
Hochschule fur Bildende Kunste Hambourg
 
Weissensee Kunsthochschule Berlin
 
  
Autriche
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Since its creation in 1972, erg has defined itself as a '''place of research''' where the activation of modes and spaces of production leads the student to learn by doing. The articulation of the courses is a zone of convergence that gives rise to the unexpected, the exchange, the collective, the hybrid form, thus contributing to the training of '''artists- citizens in relation to the world''', well beyond the training period. Participation in the Erasmus + programme will reinforce the international, transdisciplinary perspective of our practices and our pedagogy. The "modernisation" of our institution involves asking the question of the present. A present to be subjected to gender, colonial, environmental, economic and social analyses. The crisis that we are going through and will go through calls into question our tools, our means, the very idea of economic growth, and moreover "the health crisis is embedded in what is not a crisis but a lasting and irreversible ecological mutation" (Bruno Latour, April 2020). Our participation in the construction of a '''European space of education''' is to question, at all levels of school, and with our partners, the references and tools mostly used for teaching in art schools. We defend an artistic practice based on innovative and experimental thinking that situates its references and objects in a geopolitical context. No practice in an international and civic perspective is independent of its places, its form, its technique, its time, its links with other artists, arts and situations. The Erasmus + programme will allow us to develop this learning, and a conscious participation in these diverse realities.
  
University of Applied Arts of Vienna - Master Art & Science
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One of the first objectives of participation in the Erasmus + programme is '''the development of social skills, adaptability, curiosity, encounter with the other, with other spaces, languages, practices'''. This objective is already in action at the erg in non-formal learning activities, in participation in the active life of the school. And also in the participation in activities of social cohesion, experimentation, in meeting places that allow both to promote intercultural understanding while acquiring relational and technical skills. These activities will also be places for sharing with our partners on digital platforms. Care for the other, respect for his or her culture is essential. How to welcome them? How can we avoid the traps of nationalism that are spreading in Europe? This is also one of the foundations in which we believe and which we will implement: the equitable sharing of knowledge and good practices and the aspiration to a more efficient, more fluid, fairer and more open education system.
  
Belgique
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Another objective is the '''learning of other references than those often dominated by the only western, male, majority representation'''. These references alone have a direct impact on who identifies with an artistic career. As a result, the origins of students in art schools are not very diverse, and ultimately diversity is not well represented in cultural institutions and in the teaching staff. Through the exchange of practices and knowledge made possible by the mobility of teachers and students supported by Erasmus +, the fight against discrimination begins in education. Our school is already aware of this, it organises seminars, working groups, exchanges of references but this often remains at a local level and/or at the level of a single school. These emancipatory practices could be supported transnationally and between schools. For example, it is as a result of teacher and student exchanges that this particular issue has become the subject of a Strategic Partnership project initiated in 2019: Teaching To Transgress Toolbox. The Erasmus+ programme will allow, among other things, to share the results of this Strategic Partnership and, above all, to extend the network of research, mobilisation on these issues and the implementation of '''inclusive pedagogies'''.
  
LUCA - School of Arts
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The development of skills adapted to the current and future context is also an essential objective. The economic growth mentioned in the European Area of Education desired by the European Commission should also be thought of in terms of exchanges, sharing, care, sustainability, respect for people and the environment, important values in the European Union. What artistic economies are possible? In the field of art, where teaching is considered open to the conception and application of new critical frameworks, tools of analysis and creative practices, we can imagine new forms of life, of growth in the sense of growing and not of surplus, of recycling, of objects and people in the sense of changing one's path. These new forms of life involve learning to be aware of and to use digital tools and social networks in a responsible manner. Our experience of a horizontal and digital school in recent months could learn from exchanges at a European level. Within the framework of Erasmus + we propose, among other things, to develop a digital platform for the exchange of content, courses, conferences and references, favouring the use of free software and licences to guarantee open access and respect for the authors. In addition, the digital development in free software can be shared, and serve as a '''common place of learning'''.
  
Brésil
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'''Thinking about the world and skills of tomorrow ultimately involves the dissemination and transnational experimentation of environmentally conscious and sustainable economic practices'''. Just as initiatives on gender and discrimination issues are local or European initiatives based on informal exchanges of common interests, one of our objectives in the framework of the Erasmus + programme is to be able to share and grow experiences, research, practices and references on recycling issues but also on the issue of short circuits and sustainability for food. Because the alternative economy, of proximity, of short circuit is not only that of recycling, we also experiment at the erg the creation of a cafeteria based on these same principles. The mobility of the teams and students involved in these issues will allow for the exchange of good practices and knowledge, particularly during internships.<br>
  
Universidade Federal de Minas Gerais
 
  
Canada
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[[Fichier:Charte EES erg 2022-2027.pdf |400px|thumb]]
  
University of Concordia
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[[Fichier:Logoerasmus+.jpg|no_frame]]
Université du Québec à Montréal (UQAM)
 
  
Chili
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__NOTOC__
 
 
Pontificia Universidad Católica de Valparaíso
 
 
 
Danemark
 
 
 
The Royal Danish Academy of Fine Arts, Schools of Visual Art
 
 
 
Espagne
 
 
 
Universidad de Castilla-La Mancha
 
Universidad del Pais Vasco - Facultad de Bellas Artes
 
Universidad Politécnica de Valencia- Facultad de Bellas Artes San Carlos
 
 
 
Finlande
 
 
 
Aalto University
 
School of Arts, Design and Architecture
 
University of the Arts, Academy of Fine Arts (Kuvataideakatemia)
 
 
 
France
 
 
 
École de Communication Visuelle (ECV)
 
Ecole d’Enseignement Supérieur
 
d’Art de Bordeaux
 
École Européenne Supérieure de l’Image / Angoulême et Poitiers
 
École Européenne Supérieure d’Art de Bretagne
 
École Nationale Supérieure des Arts Décoratifs
 
École Nationale Supérieure d’Art Dijon
 
École Nationale Supérieure des Beaux-Arts de Lyon
 
École Nationale des Beaux-Arts de Nancy
 
École Nationale Supérieure d’Arts de Paris Cergy
 
École Supérieure d’Art et Design Grenoble - Valence
 
École Supérieure des Beaux-Arts Tours - Angers - Le Mans
 
Haute École des Arts du Rhin
 
Institut Supérieur des Beaux-Arts de Besançon/Franche-Comté
 
Villa Arson Nice
 
 
 
Hong Kong
 
 
 
Hong Kong Design Institute
 
 
 
Hongrie
 
 
 
Moholy-Nagy University of Art and Design Budapest
 
 
 
Islande
 
 
 
Iceland Academy of Arts - Department of Design & Architecture
 
 
 
Italie
 
 
 
Accademia di Belle Arti de l’Aquila
 
Accademia di Belle Arti de Bologna
 
Accademia di Belle Arti di Brera, Milano
 
ISIA Urbino
 
NABA Nuova Accademia di Belle Arti Milano
 
R.U.F.A. Rome University of Fine Arts
 
 
 
Lituanie
 
 
 
Vilnius Academy of Arts
 
 
 
Mexique
 
 
 
Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda”
 
 
 
Norvège
 
 
 
Norwegian University of Science and Technology, Trondheim Academy of Fine Art
 
 
 
Pays-Bas
 
 
 
Koninklijke Academie van Beeldende Kunsten
 
 
 
Portugal
 
 
 
Universidade de Lisboa - Faculdade de Belas Artes
 
 
 
République Tchèque
 
 
 
Brno University of Technology
 
 
 
Slovaquie
 
 
 
Academy of Arts in Banska Bystrica
 
 
 
Suède
 
 
 
Malmö Art Academy, Lund University
 
 
 
Suisse
 
 
 
BFH Bern University of Applied Sciences
 
Haute école d’art et de design (HEAD)
 
 
 
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'''Mobilité ST (enseignants)'''
 
 
 
'''MOBILITE DU PERSONNEL'''
 
 
 
Possibilités?
 
 
 
Missions d’enseignement : cette activité permet au personnel des EES participant au programme d’enseigner dans un EES partenaire à l’étranger.
 
 
 
Missions de formation (formation ou mission d’observation) : l’objectif de ce type de mission est le développement professionnel des membres du personnel, cet objectif doit s’inscrire dans la stratégie d’internationalisation et de modernisation du bénéficiaire.
 
 
 
Experts invités : cette activité permet à un EES d’inviter les membres du personnel d'entreprises et/ou d’organismes publics ou privés d’un pays du Programme actif sur le marché du travail ou dans les domaines de l’éducation, de la formation et de la jeunesse (y compris les doctorants employés) à venir enseigner  chez lui.
 
 
 
Durée ?
 
 
 
2 jours (hors voyage) à 2 mois.
 
 
 
Documents?
 
Avant la mobilité :
 
 
 
Contrat de bourse
 
Contrat de mission
 
 
 
- disponibles auprès de Sammy Del Gallo -
 
 
 
Après la mobilité :
 
Rapport intermédiaire. Celui-ci permet à l’Agence d’effectuer un contrôle à mi-parcours sur les activités mises en place dans le cadre du  projet financé. Il doit être soumis à la date stipulée à l’article I.4.3 de la convention de subvention.
 

Version actuelle datée du 5 février 2024 à 15:36

infos

°erg fact sheet

°incoming students

°étudiant.e.s sortant.e.s / outgoing students

°academic staff mobility

°partners

°international projects

°inclusive teaching at erg

°experiences

°contact

°taux applicables

°green tips

statement on Erasmus international strategy

Since its creation in 1972, erg has defined itself as a place of research where the activation of modes and spaces of production leads the student to learn by doing. The articulation of the courses is a zone of convergence that gives rise to the unexpected, the exchange, the collective, the hybrid form, thus contributing to the training of artists- citizens in relation to the world, well beyond the training period. Participation in the Erasmus + programme will reinforce the international, transdisciplinary perspective of our practices and our pedagogy. The "modernisation" of our institution involves asking the question of the present. A present to be subjected to gender, colonial, environmental, economic and social analyses. The crisis that we are going through and will go through calls into question our tools, our means, the very idea of economic growth, and moreover "the health crisis is embedded in what is not a crisis but a lasting and irreversible ecological mutation" (Bruno Latour, April 2020). Our participation in the construction of a European space of education is to question, at all levels of school, and with our partners, the references and tools mostly used for teaching in art schools. We defend an artistic practice based on innovative and experimental thinking that situates its references and objects in a geopolitical context. No practice in an international and civic perspective is independent of its places, its form, its technique, its time, its links with other artists, arts and situations. The Erasmus + programme will allow us to develop this learning, and a conscious participation in these diverse realities.

One of the first objectives of participation in the Erasmus + programme is the development of social skills, adaptability, curiosity, encounter with the other, with other spaces, languages, practices. This objective is already in action at the erg in non-formal learning activities, in participation in the active life of the school. And also in the participation in activities of social cohesion, experimentation, in meeting places that allow both to promote intercultural understanding while acquiring relational and technical skills. These activities will also be places for sharing with our partners on digital platforms. Care for the other, respect for his or her culture is essential. How to welcome them? How can we avoid the traps of nationalism that are spreading in Europe? This is also one of the foundations in which we believe and which we will implement: the equitable sharing of knowledge and good practices and the aspiration to a more efficient, more fluid, fairer and more open education system.

Another objective is the learning of other references than those often dominated by the only western, male, majority representation. These references alone have a direct impact on who identifies with an artistic career. As a result, the origins of students in art schools are not very diverse, and ultimately diversity is not well represented in cultural institutions and in the teaching staff. Through the exchange of practices and knowledge made possible by the mobility of teachers and students supported by Erasmus +, the fight against discrimination begins in education. Our school is already aware of this, it organises seminars, working groups, exchanges of references but this often remains at a local level and/or at the level of a single school. These emancipatory practices could be supported transnationally and between schools. For example, it is as a result of teacher and student exchanges that this particular issue has become the subject of a Strategic Partnership project initiated in 2019: Teaching To Transgress Toolbox. The Erasmus+ programme will allow, among other things, to share the results of this Strategic Partnership and, above all, to extend the network of research, mobilisation on these issues and the implementation of inclusive pedagogies.

The development of skills adapted to the current and future context is also an essential objective. The economic growth mentioned in the European Area of Education desired by the European Commission should also be thought of in terms of exchanges, sharing, care, sustainability, respect for people and the environment, important values in the European Union. What artistic economies are possible? In the field of art, where teaching is considered open to the conception and application of new critical frameworks, tools of analysis and creative practices, we can imagine new forms of life, of growth in the sense of growing and not of surplus, of recycling, of objects and people in the sense of changing one's path. These new forms of life involve learning to be aware of and to use digital tools and social networks in a responsible manner. Our experience of a horizontal and digital school in recent months could learn from exchanges at a European level. Within the framework of Erasmus + we propose, among other things, to develop a digital platform for the exchange of content, courses, conferences and references, favouring the use of free software and licences to guarantee open access and respect for the authors. In addition, the digital development in free software can be shared, and serve as a common place of learning.

Thinking about the world and skills of tomorrow ultimately involves the dissemination and transnational experimentation of environmentally conscious and sustainable economic practices. Just as initiatives on gender and discrimination issues are local or European initiatives based on informal exchanges of common interests, one of our objectives in the framework of the Erasmus + programme is to be able to share and grow experiences, research, practices and references on recycling issues but also on the issue of short circuits and sustainability for food. Because the alternative economy, of proximity, of short circuit is not only that of recycling, we also experiment at the erg the creation of a cafeteria based on these same principles. The mobility of the teams and students involved in these issues will allow for the exchange of good practices and knowledge, particularly during internships.


Charte EES erg 2022-2027.pdf

no_frame