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Eleanor Ivory Weber is a writer, artist and publisher working in the fields of contemporary art, critical theory, poetry and performance. Their artworks have been hosted by Maison Pelgrims, Croxhapox, Q-O2, ISELP, SB34–The Pool, Établissement d’en face and Buenos Tiempos, Int. (all Belgium), and their writing has been published in Afterall, frieze, How to Sleep Faster (all London), How to Become a Lesbian (Paris) and Jacket2 (Philadelphia). In 2012-14 Eleanor was co-director with artist Iakovos Amperidis of the art space 55 Sydenham Rd Marrickville NSW 2204 AU, as well as assistant curator to senior curator photographs Judy Annear at the Art Gallery of New South Wales (both Sydney). In 2016 their solo exhibition No Private Problems took place at M.I/mi1glissé (Berlin) and they presented theoretical lectures at Repetition/s–Performance Philosophy (Ljubljana) and Dortmunder Kunstverein (Dortmund). Since 2018 they teach critical practice at Erg (École de recherche graphique–école supérieure des arts), and with artist Camilla Wills are co-director of Divided Publishing. Eleanor lives in Brussels.
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E. Ivory Weber is an Australian writer and artist living in Brussels. Since 2018 she teaches art theory and critical practice at Erg (École de recherche graphique–école supérieure des arts), and is co-director of the literary press Divided Publishing.
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Ivory Weber holds a Master in Political Philosophy and Theory from Université Libre de Bruxelles, a Post-Master from a.pass (advanced performance and scenography studies) in Brussels, and a BA with First Class Honours in Art History & Theory from the University of Sydney. She is the 2022 recipient of the Flanders State of the Arts—Residency Unlimited artistic residency in New York City.
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Working in time-based media (performance, sound, text), her artistic work includes 'No Private Problems' (Alma Sarif, Brussels), 'The mouth is a clock without hands' (Kunstverein München), 'Supply and Supply' (Maison Pelgrims/SB34, Brussels), 'Word without return' (w/ Gladys, ISELP, Brussels), 'Smog' (Établissement d’en face, Brussels), 'Christine Villemin' (Buenos Tiempos, Int., Brussels) and 'No Private Problems' (M.I/mi1glissé, Berlin).
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Her writing has been published in periodicals Afterall, Dissect, frieze, How to Sleep Faster, How to Become a Lesbian, Jacket2, Meanjin, SALT., This Container, ROT, Le Chauffage, and for catalogues published by Museum Abteiberg, Bâtard Festival, Kunstverein Nürnberg and Art Gallery of New South Wales.  
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I am an artist and political philosopher interested in psychoanalysis, anachronism and the intellectual tradition of pessimism. I am lecturer in art history, theory and critical practice at Erg (École de recherche graphique–école supérieure des arts), Brussels, and co-director of Divided Publishing, Brussels and London. I hold a Master de spécialisation en Philosophie et Théorie Politiques from the Université Libre de Bruxelles and completed Post-Master studies at a.pass (advanced performance and scenography studies), Posthogeschool voor Podiumkunst, both Brussels. I received first class Honours in Art History & Theory from The University of Sydney.
  
 
http://divided.online
 
http://divided.online
  
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http://eleanorweber.com
  
[mailto:eleanor.weber@erg.be email me]
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[mailto:evol@tutamail.com email me]
  
  
 
[[Catégorie:Enseignant·e·s|Ivory Weber]]
 
[[Catégorie:Enseignant·e·s|Ivory Weber]]

Version actuelle datée du 21 octobre 2023 à 15:13

E. Ivory Weber is an Australian writer and artist living in Brussels. Since 2018 she teaches art theory and critical practice at Erg (École de recherche graphique–école supérieure des arts), and is co-director of the literary press Divided Publishing.

Ivory Weber holds a Master in Political Philosophy and Theory from Université Libre de Bruxelles, a Post-Master from a.pass (advanced performance and scenography studies) in Brussels, and a BA with First Class Honours in Art History & Theory from the University of Sydney. She is the 2022 recipient of the Flanders State of the Arts—Residency Unlimited artistic residency in New York City.

Working in time-based media (performance, sound, text), her artistic work includes 'No Private Problems' (Alma Sarif, Brussels), 'The mouth is a clock without hands' (Kunstverein München), 'Supply and Supply' (Maison Pelgrims/SB34, Brussels), 'Word without return' (w/ Gladys, ISELP, Brussels), 'Smog' (Établissement d’en face, Brussels), 'Christine Villemin' (Buenos Tiempos, Int., Brussels) and 'No Private Problems' (M.I/mi1glissé, Berlin).

Her writing has been published in periodicals Afterall, Dissect, frieze, How to Sleep Faster, How to Become a Lesbian, Jacket2, Meanjin, SALT., This Container, ROT, Le Chauffage, and for catalogues published by Museum Abteiberg, Bâtard Festival, Kunstverein Nürnberg and Art Gallery of New South Wales.

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I am an artist and political philosopher interested in psychoanalysis, anachronism and the intellectual tradition of pessimism. I am lecturer in art history, theory and critical practice at Erg (École de recherche graphique–école supérieure des arts), Brussels, and co-director of Divided Publishing, Brussels and London. I hold a Master de spécialisation en Philosophie et Théorie Politiques from the Université Libre de Bruxelles and completed Post-Master studies at a.pass (advanced performance and scenography studies), Posthogeschool voor Podiumkunst, both Brussels. I received first class Honours in Art History & Theory from The University of Sydney.

http://divided.online

http://eleanorweber.com

email me