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Différences entre les pages « ACTIVATED Le document contre-monument - workshop en ligne avec Craig Havens » et « CANCELLED - Workshop de Penny Siopis »

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(Page créée avec « {{Actualités |Published=2020-03-03 |Description='''23-27 mars 2020.''' Ecole de Recherche Graphique [ERG] and Université Libre de Bruxelles [ULB]. '''Penny Siopis'... »)
 
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{{Actualités
 
{{Actualités
|Published=2020-03-25
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|Published=2020-03-03
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|Description='''23-27 mars 2020.'''
|Description=Dans le cadre du cours online de [[Graphisme (MA)]], avec [[Françoise Tahon]].
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Ecole de Recherche Graphique [ERG] and Université Libre de Bruxelles [ULB].
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'''Penny Siopis''' is currently an Honorary Professor at Michaelis School of Fine Art, University of Cape Town. Her work since the early 1980s has encompassed painting, film/video, photography and installation. All her explorations, whether with body politics, memory, migration, or the relations between the human and non-human, are characterised by her interest in what she calls the ‘poetics of vulnerability’ – embodied in the dynamic play between materiality and reference, chance and contingency, form and formlessness, personal and collective history.
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Her workshop is organized in the frame of the [https://art-recherche.be AR]/FNRS project Family films. Colonial anamnesis, dedicated to artistic and anthropological researches focusing on private family films shouted in colonial contexts.
 
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Version du 23 mars 2021 à 11:06

Actualités
Publiée 2020-03-03

23-27 mars 2020.

Ecole de Recherche Graphique [ERG] and Université Libre de Bruxelles [ULB].

Penny Siopis is currently an Honorary Professor at Michaelis School of Fine Art, University of Cape Town. Her work since the early 1980s has encompassed painting, film/video, photography and installation. All her explorations, whether with body politics, memory, migration, or the relations between the human and non-human, are characterised by her interest in what she calls the ‘poetics of vulnerability’ – embodied in the dynamic play between materiality and reference, chance and contingency, form and formlessness, personal and collective history.

Her workshop is organized in the frame of the AR/FNRS project Family films. Colonial anamnesis, dedicated to artistic and anthropological researches focusing on private family films shouted in colonial contexts.